Las óleos de todo Pieter Codde
ID Image  Painting (From A to Z)       Details 
84507  
Pieter Codde, Actors Changing Room
  		 Actors Changing Room   Date 1630s Medium Oil on oak Dimensions Height: 33 cm (13 in). Width: 52 cm (20.5 in). cjr
88363  
Pieter Codde, Actors Changing Room
  		 Actors Changing Room   1630s Medium Oil on oak cyf
430  
Pieter Codde, Dancing Party
  		 Dancing Party   1636
85037  
Pieter Codde, Lady Seated at Virginals
  		 Lady Seated at Virginals   Date first half of 17th century Medium Oil on oak panel Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in). cjr
88802  
Pieter Codde, Lady Seated at Virginals
  		 Lady Seated at Virginals   first half of 17th century Medium Oil on oak panel cyf
431  
Pieter Codde, Merry Company 2
  		 Merry Company 2   1631
Pieter Codde
1599-1678 Dutch Pieter Codde Locations ), was a Dutch painter of genre works and portraits, also known to be a poet. He is said to have studied with Frans Hals, but it is more likely that his training was with a portrait painter, Barent van Someren (1572 ?C 1632) or possibly with Cornelis van der Voort (1576 ?C 1624). His earliest work is known to be a piece from 1626, Portrait of a Young Man, now in the Ashmolean. Most of his best remembered works were executed in Amsterdam and were small-scale paintings. They were distinctive in their silvery-gray tonalities, and many were musically themed, such as his first known genre work, Dancing Lesson (Louvre) from 1627, Musical Company of 1639, The Lute Player (Philadelphia Museum of Art) and, Concert, a piece now in the Uffizi Gallery. The other piece by Codde in the Uffizi is a genre work, Conversation. Codde also painted historical religious works, such as his Adoration of the Shepherds, from 1645, in the Rijksmuseum of Amsterdam. Though it is unknown whether he studied with Frans Hals, his style is undoubtedly similar in some respects. He was commissioned in 1637 to complete an unfinished work of Hals, Officers of the Company of the Amsterdam Crossbow Civic Guard Under Captain Reynier Reael and Lieutenant Cornelis Michielsz Blaeuw. While the choice of Codde to complete this work by Hals was not an obvious selection at the time, Codde work in the portrait matched the original so well that it is uncertain who painted what, although the Rijksmuseum, which now houses the work, states that Codde??s style is recognizable smoother.



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